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Arne Domnérus - Jazz At The Pawnshop [4xReel-To-Reel Tape]
Звичайна ціна £1,995.95
Jazz at The Pawnshop - Give yourself a justifiable treat – Get a copy as quickly as you can - First Time...
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Jazz at The Pawnshop - Give yourself a justifiable treat – Get a copy as quickly as you can - First Time ever on tape, full set of 4 x Reel-To-Reel on SM-900 RTM Tapes and AAA pure analog 1:1 directly from the original master tapes, no cut at all, chats and cuts included.
Be ready to be blown away when you experience playback of true high fidelity recording on audiotape – your new album on reel to reel audiotape. The world-famous 1976 analogue recordings at the Pawnshop Jazz Club in Stockholm, Sweden, with the outstanding Domnerus Group (still going strong). Anyone who owns Jazz At The Pawnshop will not be able to resist this album and experiencing the enduring spirit of an incredible musical evening.
The world-famous 1976 analogue recordings at the Pawnshop Jazz Club in Stockholm, Sweden, with the outstanding Domnerus Group (still going strong). Anyone who owns Jazz At The Pawnshop will not be able to resist this album and experience the enduring spirit of an incredible musical evening.
Album: Arne Domnérus, Bengt Hallberg, Georg Riedel, Egil Johansen + Lars Erstrand – Jazz At The Pawnshop
Label: AudioNautes Recordings - AN-RTR-2203
Format: 4xReel-To-Reel, 15 ips, ¼", 2-Track Stereo, 10.5" NAB Reel, Deluxe Edition, Limited Edition, CCIR Or NAB Eq.
Country: Italy
Released: 2022
Genre: Jazz
Style: Swing, Contemporary Jazz
Original Year of Release: 1977
Tracklist:
Tape One:
A1 Limehouse Blues 9:35
A2 I'm Confessin' 8:00
A3 High Life 6:40
Tape Two:
B1 Struttin' With Some Barbeq 6:00
B2 Jeep's Blues 7:00
B3 Stuffy 7:00
Tape Three:
C1 Lady Be Good 9:00
C2 Here Is That Rainy Day 5:30
C3 Barbados 8:00
Tape Four:
D1 How High The Moon 6:20
D2 Take Five 7:00
D3 Everything Happens To Me 5:00
Bass – Georg Riedel
Drums – Egil Johansen
Piano – Bengt Hallberg
Saxophone, Clarinet – Arne Domnérus
Vibraphone – Lars Erstrand
Produced By Jacob Boëthius
Recorded By Gert Palmcrantz
Composers: Braham, Dennis, Desmond, Dougherty, Ellington, Gershwin, Hardin-Armstrong, Hawkins, Hodges, Lewis, Lillian, Parker, van Heusen
Recorded live at The Pawnshop (Stampen) Jazz Club , Stockholm, December 6-7, 1976
Original Recording Format: Analog Tape
Licensed From: Proprius Musik AB
Jazz At The Pawnshop, recorded at Stampen Jazz Club in Stockholm on December 14-15, 1976, has been regarded as "The Best Jazz Recording of the Century!"
Most audiophiles all over the world should have already been in possession of at least one version of it. The recording’s musical artistry and sonic excellence have few peers.
In the liner notes, album producer Jacob Boethius says “When recording engineer Gert Palmcrantz was loading his car with equipment outside Europa Film Studios in Stockholm, Sweden on December 6th, 1976, it was only to make one of many recordings. No one really knew then that this was to become a cult recording among audiophiles and one of the most famous and respected jazz recordings ever made. The mere fact that a single jazz recording has been released in so many formats over a very long period of time (30 years) tells us that this recording must really be unique.
The two recording nights at the Pawnshop Jazz Club were exceptional indeed. The crowd lifted the musicians to the peak of their abilities, and I sat together with two Nagra recorders and engineer Gert Palmcrantz in the small bar kitchen and listened to the result of a microphone set up of a lifetime, surrounded by five musicians playing in some kind of trance. Total sales of the recording now exceed 500,000 copies, a tremendously good sales figure for classic jazz. And the records still sell at the rate of 3,000 - 4,000 copies per year today, some 40+ years after release.”
Give yourself a justifiable treat – Get a copy as quickly as you can!
“Their repertoire includes a few break-outs. Paul Desmond’s “Take Five” underlined quintuple times is one of them, and the African folk tune “High Life” is another. Otherwise, we find ourselves at home with the old ones and the big ones. At home with [Louis] Armstrong in “Struttin’ With Some Barbecue”, with [Coleman] Hawkins in “Stuffy”, with [Benny] Goodman in “Limehouse Blues”, with [Charlie] Parker in “Barbados”, with [Johnny] Hodges in “Jeep’s Blues”. And with all of them in a couple of evergreens like “Lady Be Good” and “How High The Moon”. And a piece like “I’m Confessin'” has been played by every single jazz musician with a normal degree of self-respect ever since the partners Doc Dougherty and Ellis Reynolds agreed on it in the 1930s.
What is worth saying about the remaining ballads? One this: give a soloist a ballad and he will show his innermost capability. Through his manner of telling a story, conveying an experience, with his very own pauses and subordinate clauses, reservations, and emphasis. ballads are remorseless. They will have no truck with the tawdry.
Arne Domnerus and his friends – Bengt Hallberg, Lars Erstrand, Georg Riedel and Egil Johansen – had some long stories to tell at Stampen in December 1976. Stories we could do well to listen to.” – Jurgen Schildt
"Since its recording in 1976 this has been a bit of a cult classic, renowned for clarity and quality as well as for the fact it presented some of the most intelligent, relaxed and truly musical mainstream ensemble jazz since the genre was invented!" - Jurgen Gothe, CBC Radio Guide.
Arne Domnerus and his friends – Bengt Hallberg, Lars Erstrand, Georg Riedel and Egil Johansen – had some long stories to tell at Stampen in December 1976.
Recording Location in 1976: Jazzpuben Stempen (Pawnshop) in Stockholm, Sweden
©1976 Proprius Musik AB - Jazz At The Pawnshop licensed from original master tape licensed from Proprius, Sweden
Phonographic Copyright ℗ Proprius Musik AB
Copyright © Proprius Musik AB
AAA Analog Tape Recording – your master tape duplication copy is the handmade product in real-time, by sound engineers and studio professionals with today's technology advantages: greater dynamic range, especially at frequency extremes; minimal signal processing; and unsurpassed richness and realism - it's the closest to hearing the music on master tape copy.
The tape copy is transferred in real-time, using studio-level reel-to-reel tape recorders on the freshly made SM-900 RTM audiotape. Production of audiotapes is a very time-consuming process, so each label usually can only release a new album in batches.
Distributed By OpenReelToReel Hub openreeltoreel.com For AudioNautes Recordings In Italy.
AudioNautes Recordings - AAA Tape Recording - Direct From Original Master Tapes.
Music For Life - Audiophile Quality | www.thesoundoftape.com
Be ready to be blown away when you experience playback of true high fidelity recording on audiotape – your new album on reel to reel audiotape. The world-famous 1976 analogue recordings at the Pawnshop Jazz Club in Stockholm, Sweden, with the outstanding Domnerus Group (still going strong). Anyone who owns Jazz At The Pawnshop will not be able to resist this album and experiencing the enduring spirit of an incredible musical evening.
The world-famous 1976 analogue recordings at the Pawnshop Jazz Club in Stockholm, Sweden, with the outstanding Domnerus Group (still going strong). Anyone who owns Jazz At The Pawnshop will not be able to resist this album and experience the enduring spirit of an incredible musical evening.
Album: Arne Domnérus, Bengt Hallberg, Georg Riedel, Egil Johansen + Lars Erstrand – Jazz At The Pawnshop
Label: AudioNautes Recordings - AN-RTR-2203
Format: 4xReel-To-Reel, 15 ips, ¼", 2-Track Stereo, 10.5" NAB Reel, Deluxe Edition, Limited Edition, CCIR Or NAB Eq.
Country: Italy
Released: 2022
Genre: Jazz
Style: Swing, Contemporary Jazz
Original Year of Release: 1977
Tracklist:
Tape One:
A1 Limehouse Blues 9:35
A2 I'm Confessin' 8:00
A3 High Life 6:40
Tape Two:
B1 Struttin' With Some Barbeq 6:00
B2 Jeep's Blues 7:00
B3 Stuffy 7:00
Tape Three:
C1 Lady Be Good 9:00
C2 Here Is That Rainy Day 5:30
C3 Barbados 8:00
Tape Four:
D1 How High The Moon 6:20
D2 Take Five 7:00
D3 Everything Happens To Me 5:00
Bass – Georg Riedel
Drums – Egil Johansen
Piano – Bengt Hallberg
Saxophone, Clarinet – Arne Domnérus
Vibraphone – Lars Erstrand
Produced By Jacob Boëthius
Recorded By Gert Palmcrantz
Composers: Braham, Dennis, Desmond, Dougherty, Ellington, Gershwin, Hardin-Armstrong, Hawkins, Hodges, Lewis, Lillian, Parker, van Heusen
Recorded live at The Pawnshop (Stampen) Jazz Club , Stockholm, December 6-7, 1976
Original Recording Format: Analog Tape
Licensed From: Proprius Musik AB
Jazz At The Pawnshop, recorded at Stampen Jazz Club in Stockholm on December 14-15, 1976, has been regarded as "The Best Jazz Recording of the Century!"
Most audiophiles all over the world should have already been in possession of at least one version of it. The recording’s musical artistry and sonic excellence have few peers.
In the liner notes, album producer Jacob Boethius says “When recording engineer Gert Palmcrantz was loading his car with equipment outside Europa Film Studios in Stockholm, Sweden on December 6th, 1976, it was only to make one of many recordings. No one really knew then that this was to become a cult recording among audiophiles and one of the most famous and respected jazz recordings ever made. The mere fact that a single jazz recording has been released in so many formats over a very long period of time (30 years) tells us that this recording must really be unique.
The two recording nights at the Pawnshop Jazz Club were exceptional indeed. The crowd lifted the musicians to the peak of their abilities, and I sat together with two Nagra recorders and engineer Gert Palmcrantz in the small bar kitchen and listened to the result of a microphone set up of a lifetime, surrounded by five musicians playing in some kind of trance. Total sales of the recording now exceed 500,000 copies, a tremendously good sales figure for classic jazz. And the records still sell at the rate of 3,000 - 4,000 copies per year today, some 40+ years after release.”
Give yourself a justifiable treat – Get a copy as quickly as you can!
“Their repertoire includes a few break-outs. Paul Desmond’s “Take Five” underlined quintuple times is one of them, and the African folk tune “High Life” is another. Otherwise, we find ourselves at home with the old ones and the big ones. At home with [Louis] Armstrong in “Struttin’ With Some Barbecue”, with [Coleman] Hawkins in “Stuffy”, with [Benny] Goodman in “Limehouse Blues”, with [Charlie] Parker in “Barbados”, with [Johnny] Hodges in “Jeep’s Blues”. And with all of them in a couple of evergreens like “Lady Be Good” and “How High The Moon”. And a piece like “I’m Confessin'” has been played by every single jazz musician with a normal degree of self-respect ever since the partners Doc Dougherty and Ellis Reynolds agreed on it in the 1930s.
What is worth saying about the remaining ballads? One this: give a soloist a ballad and he will show his innermost capability. Through his manner of telling a story, conveying an experience, with his very own pauses and subordinate clauses, reservations, and emphasis. ballads are remorseless. They will have no truck with the tawdry.
Arne Domnerus and his friends – Bengt Hallberg, Lars Erstrand, Georg Riedel and Egil Johansen – had some long stories to tell at Stampen in December 1976. Stories we could do well to listen to.” – Jurgen Schildt
"Since its recording in 1976 this has been a bit of a cult classic, renowned for clarity and quality as well as for the fact it presented some of the most intelligent, relaxed and truly musical mainstream ensemble jazz since the genre was invented!" - Jurgen Gothe, CBC Radio Guide.
Arne Domnerus and his friends – Bengt Hallberg, Lars Erstrand, Georg Riedel and Egil Johansen – had some long stories to tell at Stampen in December 1976.
Recording Location in 1976: Jazzpuben Stempen (Pawnshop) in Stockholm, Sweden
©1976 Proprius Musik AB - Jazz At The Pawnshop licensed from original master tape licensed from Proprius, Sweden
Phonographic Copyright ℗ Proprius Musik AB
Copyright © Proprius Musik AB
AAA Analog Tape Recording – your master tape duplication copy is the handmade product in real-time, by sound engineers and studio professionals with today's technology advantages: greater dynamic range, especially at frequency extremes; minimal signal processing; and unsurpassed richness and realism - it's the closest to hearing the music on master tape copy.
The tape copy is transferred in real-time, using studio-level reel-to-reel tape recorders on the freshly made SM-900 RTM audiotape. Production of audiotapes is a very time-consuming process, so each label usually can only release a new album in batches.
Distributed By OpenReelToReel Hub openreeltoreel.com For AudioNautes Recordings In Italy.
AudioNautes Recordings - AAA Tape Recording - Direct From Original Master Tapes.
Music For Life - Audiophile Quality | www.thesoundoftape.com
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